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出典（本人談・評論）

• Disco → Dance-pop：出典（Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes.）
• Post-disco → Dance-pop：出典（Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes.）
• Synth-pop → Dance-pop：出典（Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes.）
• マドンナ → Dance-pop：出典（Erlewine claimed that Madonna "launched dance-pop" and set the standard for the genre for the next two decades.）
• マイケル・ジャクソン → Dance-pop：出典（dance-pop borrowed influences from funk (e.g. Michael Jackson and Whitney Houston), new jack swing (e.g. Janet Jackson and Paula Abdul), and contemporary R&B.）
• ホイットニー・ヒューストン → Dance-pop：出典（dance-pop borrowed influences from funk (e.g. Michael Jackson and Whitney Houston), new jack swing (e.g. Janet Jackson and Paula Abdul), and contemporary R&B.）
• ジャネット・ジャクソン → Dance-pop：出典（dance-pop borrowed influences from funk (e.g. Michael Jackson and Whitney Houston), new jack swing (e.g. Janet Jackson and Paula Abdul), and contemporary R&B.）
• House → マドンナ：出典（dance-pop borrowed influences from house music (e.g. Right Said Fred's "I'm Too Sexy", Taylor Dayne's Soul Dancing, and Madonna's "Vogue", "Rescue Me" and "Deeper and Deeper"), as well as contemporary R&B and new jack swing）
• Dance-pop → ストック・エイトキン・ウォーターマン：出典（Dance-pop music was usually created, composed and produced by record producers who would then hire singers to perform the songs.）
• Dance-pop → マックス・マーティン：出典（Dance-pop music was usually created, composed and produced by record producers who would then hire singers to perform the songs.）
• マックス・マーティン → テイラー・スウィフト（Taylor Swift）：出典（American singer-songwriter Taylor Swift's albums Red (2012), 1989 (2014) and Reputation (2017) contain more of a pop-influenced sound, which features production by dance-pop record producers Max Martin and Shellback.）
• Dance-pop → Teen pop：出典（derivatives = Diva house | eurobeat | vocal trance ; fusiongenres = Teen pop | house-pop | Italo disco）
• マックス・マーティン → ブリトニー・スピアーズ（Britney Spears）：出典（He rose to prominence in the late 1990s with songwriting credits on a string of hit singles, such as Britney Spears's "...Baby One More Time" (1998), the Backstreet Boys' "I Want It That Way" (1999), Celine Dion's "That's the Way It Is" (1999), and NSYNC's "It's Gonna Be Me" (2000).）
• マックス・マーティン → バックストリート・ボーイズ（Backstreet Boys）：出典（He rose to prominence in the late 1990s with songwriting credits on a string of hit singles, such as Britney Spears's "...Baby One More Time" (1998), the Backstreet Boys' "I Want It That Way" (1999), Celine Dion's "That's the Way It Is" (1999), and NSYNC's "It's Gonna Be Me" (2000).）
• マックス・マーティン → イン・シンク（NSYNC）：出典（He rose to prominence in the late 1990s with songwriting credits on a string of hit singles, such as Britney Spears's "...Baby One More Time" (1998), the Backstreet Boys' "I Want It That Way" (1999), Celine Dion's "That's the Way It Is" (1999), and NSYNC's "It's Gonna Be Me" (2000).）
• マックス・マーティン → セリーヌ・ディオン（Celine Dion）：出典（He rose to prominence in the late 1990s with songwriting credits on a string of hit singles, such as Britney Spears's "...Baby One More Time" (1998), the Backstreet Boys' "I Want It That Way" (1999), Celine Dion's "That's the Way It Is" (1999), and NSYNC's "It's Gonna Be Me" (2000).）
• ジャンルの成立年・地域・特徴：en.wikipedia.org